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Elizabeth Hoffman

Elizabeth Hoffman composes acoustic and computer-driven media that explores location responsiveness and idiosyncrasies of timbre and tuning. These pieces are simultaneously instruments, compositions, and structures that allow delimited free responses and interplay between the computer performer, the computer, and the instrumentalist. She has composed works for high density loudspeaker arrays of up to 136 channels, published theoretical work on electroacoustic and avant-garde music that focuses on the significance of contingent or indirectly perceived qualities in music, with articles appearing in The Computer Music Journal, Organized Sound, Array, and Perspectives of New Music. Her teaching and research interests include the impact of the gendered world on women composing in general, and working with digital sound and technology.